Previous Competition
Number of Applicants by Countries and Regions : 24
Number of Applicants : 169
First Stage Contestants : 46
Second Stage Participants : 18
Final Stage Participants : 6
First Prize [Ohga Award] | No one qualified |
---|---|
Second Prize | No.44 / Ms. Yuka ASAHARA (Japan) |
Third Prize | No.27 / Mr. Andrey CHOLOKYAN (Russia) No.31 / Mr. Armand DJIKOLOUM (France) |
Honorable Mention | No.22 / Mr. Gioele COCO (Italy) No.23 / Ms. Saran BAE (South Korea) No.41 / Ms. Natalia AULI (Venezuela) |
Audience Award | No.31 / Mr. Armand DJIKOLOUM (France) |
Encouragement Award | No.6 / Mr. Shota TAKAHASHI (Japan) |
The following two pieces should be performed and recorded in order of 1), 2).
1) G. Ph. Telemann: 12 Fantasien für Querflöte ohne baß
– Ⅺ . Fantasie G-dur TWV40:12 [with all repeats]
Bärenreiter / Henle
2) C. Schumann: 3 Romanzen für Violine und Klavier op.22
– Ⅱ. Allegretto
The following two pieces should be performed (order optional).
1) R. Schumann: 5 Stücke im Volkston für Violoncello und Klavier op.102(Ver. for Violin and Piano)
①Ⅱ. Langsam + Ⅲ. Nicht schnell, mit viel Ton zu spielen[with all repeats]
or
②Ⅱ. Langsam + Ⅳ. Nicht zu rasch Breitkopf & Härtel
2) A. Doráti: 5 pièces pour le hautbois
-Ⅰ. La cigale et la fourmie (d’après Lafontaine) + Ⅴ. Légerdemain
A total of four pieces chosen from each of the following 4 groups should be performed. The pieces
from groups 1) and 4) are obligatory and also one piece each should be chosen from groups 2) and 3)
to constitute a recital that is approximately 45 minutes in length. (From entering the stage to leaving
the stage should be at the most, 50minutes.) (order optional)
1) T. Hosokawa: Spell Song for oboe
Commissioned by Sony Music Foundation for “THE 11th INTERNATIONAL OBOE COMPETITION OF JAPAN 2015 in Karuizawa”
2)
① J. S. Bach: Partita a-moll für Flöte solo BWV1013
(Either the a-moll or the g-moll version is acceptable)
– Corrente + Sarabande [1st repeats only in both movements]
IMSLP=International Music Score Library Project.
* Please be aware of Bach’s mistakes which should be correctly performed.
② F. Couperin: «Les Goûts-Réunis ou Nouveaux Concerts»
– Concert No. 5 or No.6 or No. 7
(with harpsichord) [repeat optional]
③ C. Ph. E. Bach: Sonate für Querflöte solo a-moll Wq.132
(only the a-moll version is acceptable )
[no repeats in all movements]
④ A. Vivaldi: Concerto in la minore per Oboe, Archi e Cembalo RV 461
(Accompanied by Piano)
3)
① N. Skalkottas: Concertino für oboe solo und Klavierbegleitung
② A. Doráti: Duo concertante
③ L. Berio: Sequenza Ⅶ per oboe solo
※The tone of “H” will be provided by the Secretariat.
You are not allowed to use the one you bring.
④ D. Milhaud: Sonatine pour Hautbois et Piano op.337
⑤ A. Pasculli: Fantasia sull’opera “Poliuto” di Donizetti
⑥ A. Pasculli: Gran Concerto su temi dall’opera “I vespri siciliani” di Verdi
4) W. A. Mozart: Concerto in C major for Oboe and Orchestra K.314 (285d)
– 2nd + 3rd movements
(Should be performed by memory. Accompanied by Piano.)
The following two pieces should be performed.
1) W. A. Mozart: Quartet in F major for Oboe, Violin, Viola, and Violoncello K.370 (368b)
[1st repeat only in the first movement] (Accompanied by String trio)
2) R. Strauss: Concerto in D major for Oboe and small Orchestra AV144
(Should be performed by memory. Accompanied by Orchestra.)